Gordon Getty and Claude Debussy’s one-acters on Edgar Allen Poe’s classic have different strengths and weaknesses.
The Conservatory’s “by the Brook” Carmen was a vital emotional experience.
Led by a funny, natural Figaro, the S.F. Opera revival of Barber of Seville is frothy entertainment.
Pageantry there is, but the S.F. Opera’s production of Wagner’s Meistersinger von Nürnberg reveals the small, human moments that make this comedy timeless.
The company’s latest production of Mozart’s classic opera misses the mark dramatically and emotionally.
Festival Opera explored Indian cultural narratives with two noteworthy chamber operas at the Oakland Cultural Center.
Festival Opera puts Gustav Holst’s rare one-act Savitri together with Jack Perla’s River of Light, which premiered at Houston Grand Opera last year.
The Industry once again creates an entirely novel, unrepeatable, music-theater experience.
S.F. Opera’s brings Japanese artist Jun Kaneko’s reimagining of the Mozart classic back for a 10-performance run.
Opera traditionalists will find plenty to like about West Bay Opera’s production, which lacks surprises.
