Opera

With its unique setting, a former steel pipe factory, West Edge Opera stays true to its marketing tagline of "unexpected places" for "remarkable operas."

West Edge Opera’s full-out production embraced the hedonistic sexuality and the depravity of Alban Berg’s masterpiece.

The chamber opera follows the transition of a transgender person to womanhood, sung simultaneously by baritone Dan Kempson and mezzo-soprano Brenda Patterson.

The Merola Opera Program pairs a quiet take on Gian Carlo Menotti’s haunting short opera with a loud performance of Puccini’s Gianni Schicchi.

Festival Opera makes a comeback with its contemporary production of Strauss’ Ariadne auf Naxos.

A transfixing performance by the dramatic soprano and great work from the chorus were the selling points for the Symphony's cap to the Beethoven Festival.

Mozart's brilliant opera provided needed comic relief at the War Memorial Opera House.

The premiere of Marco Tutino's new opera delivered neo-Puccini without the punch or musical power.

Dog Days takes Los Angeles Opera into the heart of post-apocalyptic darkness.

Berlioz’s grandest of grand operas makes it to the War Memorial Opera House in a production that scores points on every level.