El amor brujo shares a concert with Camille Saint-Saëns’ Violin Concerto No. 3 featuring soloist Alex Eisenberg.
A solid cast makes this a winning production of Mozart’s masterpiece.
An overabundance of character dances doesn’t dampen the show’s overall effect.
Gustavo Dudamel leads a visceral, full-throttle performance that would surely win over skeptics of this work.
The composer’s latest works are tributes to musicians he has long championed: Julius Eastman and Morton Feldman.
In works by Robert Moses, Raissa Simpson, and more, BCF explores the depth and breadth of Black dance in the Bay Area.
The school’s partnership with artist management company Opus 3 has led to intriguing results, like this concert at Davies Symphony Hall.
The superstar player, who shot to fame at the Cliburn Competition three years ago, takes on the Goldberg Variations.
Casting this opera well is difficult even for bigger houses, but WBO manages it.
Baritone Simon Keenlyside and mezzo-soprano Ekaterina Gubanova perform Mahler’s early songs with Dudamel and the orchestra.
