The ambitious production overcomes what appeared to be opening night jitters with its fantastic cast.
The symphony closes out the season with Leonard Bernstein’s comic operetta.
A new chamber opera by Tarik O'Regan shows the continuing power of Conrad's story, despite some flaws.
It was a delight to see conductor and musicians alike perform Monteverdi’s 1607 “favola in musica.”
Patrick Morganelli’s operatic adaptation of the B-movie turns Italio-Grecian kitsch into modern American opera.
For the last production of its season, OSJ has hit the mark.
The period-instrument ensemble joins forces with fellows from the San Francisco Opera Center’s Adler Fellowship program to perform the Rossini opera.
A well-played revival makes a convincing case for a rare opera.
Donizetti's buoyant comedy was transposed to 1950s America in Jose Maria Condemi's staging for Conservatory Opera Theatre.
Clear direction and fantastic singing make for a memorable performance of the tragic Italian opera.
