Opera

Robert P. Commanday - August 22, 2011

A true-to-the-original production of Gershwin’s masterwork is blessed by four outstanding women singer/actors, but marred by lax baton work.

Jason Victor Serinus - August 22, 2011

The Grand Finale of the Merolini serves as a coming-out party for singers who may rise to the top of the operatic world or settle in the middle ranks.

Lisa Petrie - August 22, 2011

A noted opera director reflects on collaborating with San Francisco Opera on a new work based on the 9/11 attacks.

Jeff Dunn - August 22, 2011

Virgil Thomson and Gertrude Stein’s opera Four Saints in Three Acts receives a colorful, if often inscrutable, remounting at Yerba Buena Center.

Michael Zwiebach - August 16, 2011

And this Sunday Dolora Zajick sings for free as part of the San Francisco Opera's performance at Stern Grove. That's right: $100 a ticket to see her in the opera house, free at Stern Grove. And then there's this: even if you arrive late – heck, even if you picnic in the parking lot – you'll still hear her loud and clear.

Ken Bullock - June 24, 2011

The stage director/choreographer strives to get his singers to embody their roles, so the audience can sense that their story is alive and present onstage.

Georgia Rowe - February 28, 2011

Philip Glass’ Orphée earns high marks as a 20th-century alternative to Gluck’s Orfeo ed Euridice. It just deserves a better production than the blunt, charmless staging mounted by the Ensemble Parallèle at Herbst Theatre over the weekend.

Georgia Rowe - September 13, 2010

Works of fiction that become operas often suffer some degree of degradation in the translation. Tolstoy’s Anna Karenina, for example, is generally acknowledged a masterpiece: Dostoyevsky called it “flawless as a work of art.” Yet David Carlson’s opera Anna Karenina seems destined to go down in operatic history as a valiant attempt, at best.

Lisa Houston - August 3, 2010

Festival Opera of Walnut Creek is continuing its summer season with Gaetano Donizetti’s masterpiece, Lucia di Lammermoor. The production opens Aug. 7, and the four performances will feature almost entirely Bay Area artists.

Janos Gereben - May 18, 2010

The upcoming San Francisco Opera production of Puccini’s La fanciulla del West, aka Girl of the Golden West, aka “Puccini's American opera,” returning here after an absence of 31 years, is the epitome of ”Italian-American.”