For the last production of its season, OSJ has hit the mark.
The period-instrument ensemble joins forces with fellows from the San Francisco Opera Center’s Adler Fellowship program to perform the Rossini opera.
A well-played revival makes a convincing case for a rare opera.
Donizetti's buoyant comedy was transposed to 1950s America in Jose Maria Condemi's staging for Conservatory Opera Theatre.
Clear direction and fantastic singing make for a memorable performance of the tragic Italian opera.
The cast, mostly made up of bunnies, delivered spectacle with a rare irreverence that was delightful to behold. A review from SFCV's Emerging Writer Program.
In the second production of its inaugural season, Eileen Meredith's company delivered a well-cast double bill.
Netia Jones, David Henry Hwang, and composer Unsuk Chin combined to make L.A. Philharmonic's Alice a theatrical thrill ride.
Mezzo Susan Graham was inspiring in an afternoon of art songs about romantic love.
The small company comes up trumps with a compelling production of the modern-day masterpiece.
