The violinist chats about her early years, the challenges of switching to Baroque music, improvising, and the magic of reawakening a child’s wonder in listeners.
The fortepianist’s improvisations, and the orchestra’s less muscular approach resulted in a Beethoven quite different from the mighty thunderer of legend.
The North American premiere of a 1734 Handel serenata is an interesting glimpse of the composer fulfilling his duties as unofficial court composer. Eyes and ears were on some of the strongly cast soloists.