Elegant, understated playing in a cozy setting brings out the best in a program of Couperin, Marais, Balbastre, and Telemann.
An absorbing medieval music concert refreshes and uplifts while not shorting the entertainment side of things.
Soloists Nikolas Nackley and Tonia D’Amelio straddle the spiritual and the erotic in a charged performance of two cantatas.
Gorgeous tones on period instruments meld beautifully with a strong chorus and powerful soloists.
William Christie pairs Purcell with the pastorale Actéon.
Strong soloists and Nicholas McGegan and Philharmonia Baroque gave their all in a flawed work.
A.B.S. Academy participants show their stuff in an assured performance.
Samuel Pepys’s diary provides the links for a program of music from 17th-century London.
The trio’s peerless musicianship and their unusual combination of cello, bass, and mandolin result in fresh interpretations of classic material.
Decades of imagining and four years of “construction” culminate in a splendid production of Jean-Philippe Rameau’s opera-ballet.
