A young, period performance company wraps up Handel’s Orlando furioso trilogy.
The often-ignored repertory of 17th-century oratorios, was given a vigorous, musically satisfying revival in California Bach Society’s latest concert set.
The orchestra welcomed fortepianist Kristian Bezuidenhout as soloist in an all-Mozart program.
The greats and not-so-greats of 17th-century Vienna get a hearing thanks to the Quicksilver ensemble.
American Bach Soloists revisited two of the three Bach Cantatas from their inaugural concert for the opening of their 27th season.
The early music ensemble performed festive pieces from the Italian baroque at St. Mark’s Lutheran in San Francisco.
The early music ensemble performed “songs, dances, and fancies” with flair at Palo Alto’s First Presbyterian Church.
The group’s May 1 concert consisted of symphonies and "party tricks."
The early music group introduced a young cello soloist and played a sprightly reading of a Bach orchestral suite.
William Christie’s vocal and instrumental Baroque ensemble brings the language of love to Cal Performances.
