The violinist chats about her early years, the challenges of switching to Baroque music, improvising, and the magic of reawakening a child’s wonder in listeners.
The fortepianist’s improvisations, and the orchestra’s less muscular approach resulted in a Beethoven quite different from the mighty thunderer of legend.
The North American premiere of a 1734 Handel serenata is an interesting glimpse of the composer fulfilling his duties as unofficial court composer. Eyes and ears were on some of the strongly cast soloists.
Despite the large forces arrayed for the Easter and Ascension Oratorios, Jeffrey Thomas and his musicians achieve chamber music-like clarity and unforced communication.