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Jaime Robles - February 17, 2009

Ballet aspires to the otherworldly. The dancer on the tips of her toes seems freed from the constraints of gravity: able to spin unrestrainedly, to move like quicksilver or a cloud. The ballerina’s partner helps her escape the earth’s physical confinements, allowing her to take flight. The male dancer’s great leaps seem to suspend him in midair.

Janos Gereben - January 30, 2009
It has been more than 20 years since the debut of Helgi Tomasson’s production of Tchaikovsky’s Swan Lake for the San Francisco Ballet. This time around the most-cherished and well-known of ballets gets a complete restaging featuring scenery and costumes by European designer Jonathan Fensom, who will try to avoid that “museum piece” feel.