Other

Jeff Kaliss - October 6, 2015

Lisa Mezzacappa’s ode to the legacy of women explorers was itself adventurous, showing little need for genre boundaries.

Michael Zwiebach - May 15, 2013

It’s definitely worth the trip to see Glass’ version of Beauty and the Beast ruffle the grace of Cocteau’s imagery.

Janos Gereben - April 7, 2009
“My name is Dylan Mattingly, I’m 17 (though for only three more hours ...), and I, along with Preben Antonsen (also 17), run a local new music ensemble made up of kids our age which plays music written in our lifetimes,” said the irresistible e-mail.
Jaime Robles - February 17, 2009

Ballet aspires to the otherworldly. The dancer on the tips of her toes seems freed from the constraints of gravity: able to spin unrestrainedly, to move like quicksilver or a cloud. The ballerina’s partner helps her escape the earth’s physical confinements, allowing her to take flight. The male dancer’s great leaps seem to suspend him in midair.

Janos Gereben - January 30, 2009
It has been more than 20 years since the debut of Helgi Tomasson’s production of Tchaikovsky’s Swan Lake for the San Francisco Ballet. This time around the most-cherished and well-known of ballets gets a complete restaging featuring scenery and costumes by European designer Jonathan Fensom, who will try to avoid that “museum piece” feel.