Vocal

Scarlett Hepworth

My early training was in piano, and I studied voice and composition in college. I came to vocal music teaching through musical theater, where I was a performer. Because my piano skills often had me playing in the rehearsal hall, I frequently found myself giving advice or encouragement to my fellow singers. In 1993, when my children were still young, I hung out a shingle for my studio, and have since become a well-respected vocal coach/accompanist in my own right.

Amanda Hahn

Dedicated to my private students ranging in age from 8 to 85 years old, they include flute students aspiring to be professional performers and adult or young players enthusiastically loving every new song they learn. I equally enjoy working with reed players honking out their first notes, piano players discovering new patterns, and elementary students excited to practice pieces for their school band.

Eric Howe

Eric Howe is a frequent guest soloist, chorister, conductor, and piano and organ accompanist for many groups, and is also in demand as a clinician and adjudicator. As well as private teaching (currently online), Eric taught Vocal Physiology and Pedagogy at the San Francisco Conservatory of Music and Holy Names University, and at HNU taught conducting, organ, and conducted the HNU Chamber Singers. He has been Cal-Western regional NATS governor, was president of the SF Bay Area chapter of NATS and chaired its annual Singing Festival.

Ondine Young

ONDINE YOUNG (violin/viola) is currently teaching at Crowden/CCMC, St. David's, Tehiyah, and other local schools, and has recently been choir director, chamber-music coach and musicianship instructor at the Crowden School of Music and a conductor for the San Francisco Boys' Chorus. Previously, she headed the choral program at the University of San Diego. Ondine completed a doctoral degree at the University of Southern California, studying Choral Conducting and Early Music Performance.

Wendy Hillhouse

I'm a singer, and I know how it feels to be a voice student. Singing can seem so random and hard to grasp; one day everything's easy and great, and the next day nothing works. We are the instrument, and we have to build the instrument at the same time that we play it, but like golf, the harder we try, the worse it gets. Finding the balance between technical skill, energy, emotion, expression, focus and confidence is what's it's all about. I teach technique, with strong but flexible support, optimum resonance and beauty, and clear diction free of tongue and jaw tension.

Ann Moss

Ann Moss has been teaching voice for 10 years, first in Boston and currently in the Bay Area. Since moving to Berkeley in 2004, Ann has become much sought-out among singers of all ages and experience levels. She holds two graduate-level degrees in Vocal Performance, and has been honored to work with many of today's best musicians and teachers in master class and private studio settings. In addition to her extensive performance career as a classical singer, Ann has performed and recorded in popular genres including funk, folk-rock, and r&b.

Lea Centauri

My name is Lea Centauri. I've been singing since I was 4 years old, and have studied singing and voice my whole life. I'm a Mezzo Soprano and Jazz is my music of choice to sing. I have lived and sang and taught in Paris, France for several years. My first students were French. I also spent a year teaching vocal technique at Bilgi University in Istanbul, Turkey. Most of my vocal experience has been in foreign countries. I have sung all over France, including Cannes.

Eric Morris

Mr. Morris has sung professionally for 32 years, and has toured all over the USA, Canada and Europe performing solo and in ensembles. An award winning composer and instrumentalist as well, Eric enjoys teaching all voice parts and all styles of music. Mr. Morris has sung in the SF Opera House, and has also sung at the Grand Ole Opry, so it's obvious he feels at home with many different genres of music. He is also very comfortable coaching ensembles, as for over 20 years he has been the first tenor with the seminal a cappella group, the EDLOS.