Being a deaf dancer, says Antoine Hunter, is a two-way mirror in which you are acutely aware of the differences between how you see yourself and how others see you.
The long-running event features more than 400 dancers and musicians representing 20 world cultures.
Liam Scarlett’s new story ballet is co-produced by San Francisco Ballet and headed here next season.
The semistaged production cleverly transcends limits and delivers an exuberant reading of Bernstein’s score.
Justin Peck's dazzling choreography, and Sufjan Stevens' now-classic score The BQE provide a winning hand In the Countenance of Kings.
The premiere of Alexei Ratmansky's quiet, piano ballet is the highlight of a strong program.
Great company seeks great choreographer. The Ailey company won’t disappoint in its repertory items, which is reason enough to see them.
Brenda Way, KT Nelson, and Kimi Okada’s Oberlin Dance Collective is still going strong at 45.
Yuri Possokhov creates a ballet that bathes in wonderful artifacts of the Sixties.
A true story of a 19-year-old resisting the Nazis is the latest, powerful addition to Bill T. Jones’ dances exploring racism and social injustice.
