The festival brings 300 Bay Area dancers and musicians representing a wide array of cultures to the Palace of the Fine Arts.
The performance had all the pageantry one would expect from the classic tale, but little choreography.
Fine work from the company isn’t enough to bring Shakespeare’s tragedy to life.
The company, having weathered a financial emergency, emerges with a new name and a trio of imaginative pieces focusing on technology.
The dancers, costumes and sets dazzle as the performance starts its 11-day run.
Choreographer K.T. Nelson’s piece Dead Reckoning is a delight, while the troupe’s work based on Ai Weiwei looks confined outside of Alcatraz.
The ever-cutting edge company has a ball with new works by Ekman, Caniparoli, Welch, and Possokhov.
Two masterful evocations of human togetherness shared the bill in S.F. Ballet's latest program.
The Ballet's third repertory program had a premiere from a 24-year-old, among a set of varied, beautifully danced works.
A practically perfect Fancy Free, highlighted the company's repertory season opener.
