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Arranger and bandleader John Clayton has completed the score for The Africa Suite using unfinished recordings from Peterson’s “vault.”

With “Shifting Ground,” a commissioning and recording project, Kenney is approaching Baroque music as the start of something contemporary.

Hear how composer Paul Moravec and librettist Mark Campbell approached the adaptation in a new recording from Lyric Opera of Kansas City.

Barrie Kosky and Suzanne Andrade’s richly imagined production is a visual feast, though sometimes at the cost of the music and the action.

Brett Mitchell’s inaugural season as music director is the next chapter in the orchestra’s nearly century-long history.

Montero offers a brilliant improvised encore, in addition to a Mozart concerto, on this program that also includes a new work by Nina Shekhar.

Two sacred works, both steeped in fascinating history, are on the bill for BCCO this June.

With a new director at the helm, the organization is looking ahead to a vibrant year of performances.

Ten years after its last residency here, the band returns to run through its entire album catalog in a nine-concert stay.

Thomas is set to premiere Fire and Blue Sky, a song cycle written for him by composer Joel Thompson and poet Imani Tolliver.