Emily Wilson

Cann, who debuts with the SF Symphony this week, talks about discovering Price and jazzing Rhapsody in Blue.

Ahead of her Cal Performances debut, the Avery Fisher Career Grant winner talks about her big breaks and career so far.

Mezzo-soprano Irene Roberts and conductor Karen Kamensek are up for the challenges of Poul Ruders’s music and Margaret Atwood’s story.

To mark this summer’s major anniversary, the Napa Valley chamber festival is returning to four commissioned pieces from previous years.

The company is betting on Bulrusher, Eisa Davis’s Pulitzer Prize-nominated play as set by composer Nathaniel Stookey.

The composer’s adaptation of a 12th-century Persian poem involves many collaborators, including the SF Girls Chorus and The Living Earth Show.

The company has created outlets and events to help people deal with the emotions of this opera about a school shooting.

The composer and pianist’s great-great-great-granddaughter, Sheila Hayman, uncovers family history in a new documentary.

Mingwei is reconnecting with essential elements in Chaque souffle une danse, his new performance work on view this spring.

Laura Karpman’s Balls, about the famous 1973 tennis match, is one half of an upcoming sports-themed double bill from Opera Parallèle.