Emily Wilson

The musical ambassador talks about the challenges of playing the pipa, communicating through music, and her special bond with Lou Harrison.

The dynamic dancer/choreographer/educator brings her company to the Hammer Theatre Feb. 4.

The San Mateo company made a name for itself with a hip-hop rendition of Nutcracker. Its 21st-century takes on Guys and Dolls and Cinderella premiere this spring.

Hoping that the recent surge in infections will be brief, some companies are rescheduling their big events for later in the season.

Monk continues her study of our engagement with the natural world in Indra’s Net, premiering Nov. 12–13. She tells SFCV about its long genesis.

Some of the world’s greatest masters of making music in the moment demonstrate the state of the art.

The series of 300 one-on-one dance encounters begins Sept. 9 at CounterPulse.

An introduction to some of the very best from the brilliant cellist’s prolific recording career.

The author chats about the background and innovative format of The Monster I Am Today, his new book of poetry and verse about the revered diva.

A new SFMOMA retrospective of the experimental artist’s work emphasizes his relationship with and ideas about music. Is it time for classical musicians to take him seriously?