Reviews

Anna Carol Dudley - July 24, 2007
Jonathan Khuner, Berkeley Opera's artistic director, has long wanted to strip Verdi's Aïda of ancient Egyptian spectacle. Stage director Yuval Sharon was interested in making the composer’s story relevant to our times. In the opening performance of Aïda Saturday at the Julia Morgan Theatre, their successful collaboration was, in large part, fundamentally true to Verdi.
Benjamin Frandzel - July 24, 2007
The sfSoundGroup continued to carve out an exciting niche for itself in its concert Sunday night at ODC Theater. Among all the area’s new-music ensembles, this group has evolved an aesthetic that most vividly brings to mind the Bay Area’s long history of experimentation and boundary-crossing.
Jason Victor Serinus - July 17, 2007
You'd think that nothing could steal the thunder from the likes of Frederica von Stade, Sir James and Lady Jeanne Galway, and the Russian National Orchestra. But Friday the 13th brought a decidedly unmusical close to Festival del Sole's opening night in Napa.
James Keolker - July 17, 2007
The current Festival del Sole in the Napa Valley took a stellar leap forward Saturday evening with both the talent it featured and the place in which that talent was showcased.
Jeff Dunn - July 17, 2007
With music loud and long, I would build that dome in air, That sunny dome! those caves of ice! And all who heard should see them there, And all should cry, Beware!
John Bender - July 17, 2007
Gioachino Rossini’s La Cenerentola is a brilliant comic opera filled with both melancholy and satire. La Cenerentola is also a fairy-tale girl who bursts into the spotlight. And for San Francisco right now, Daniela Mack has become the Cinderella girl with the glass slippers.
Jonathan Rhodes Lee - July 17, 2007
Another weekend in July brought yet another summer festival to a close, with the final concert on Sunday afternoon of the Green Music Festival at Sonoma State University, in Rohnert Park. Artistic Director Jeffrey Kahane balances this festival, now in its eighth year, with a blend of regularly returning performers and new guest artists.
Scott MacClelland - July 17, 2007
Sunday's matinee performance of Bach's St. Matthew Passion, a feature of the 70th anniversary season of the Carmel Bach Festival, memorialized Sandor Salgo.
Michael Zwiebach - July 10, 2007
Music festivals, whether of the mini or maxi kind, invite audiences to think of music as part of an entire experience. For most of the year, we're content just to hear a concert. But the summer festival experience is also partly about location and lingering twilight.
Jonathan Rhodes Lee - July 10, 2007
Chamber music gluttons can always find satiation at the American Bach Soloists' SummerFest concerts.