Reviews

Most summer music festivals program only the tried and true. But not Cal Performances’ Berkeley Edge Festival, which offered three programs in its third biennial festival June 7-10, featuring two composers — Frederic Rzewski and Paul Dresher — in two venues on UC Berkeley’s night-jasmine-scented campus.

An ensemble as well-established and famous as Chanticleer is likely to inspire imitators. Its sound, which was once unique, has spawned countless men's a cappella choral groups around the country. Friday evening's Clerestory concert, however, proved that this group is not an imitator of the Chanticleer style but rather a champion of it.

The New Century Chamber Orchestra’s concertmaster-conductor search has brought forward some of the classical music world’s top violinists as candidates to lead the ensemble. The search has also highlighted the concertmaster’s role. Is he/she a conductor? A soloist? A member of the first violin section? A chamber musician?

On Thursday night at Davies Hall, Michael Tilson Thomas and the San Francisco Symphony took a huge and potentially unwieldy work, Mahler's Symphony No. 7, and graced it with a heady and absorbing performance.

Aiding and encouraging young careers is the noble cause behind the Irving M. Klein International String Competition, which held the finals of its 22nd competition Sunday afternoon at San Francisco State University. Three talented musicians each played a full virtuoso concerto, supported by the Marin Symphony under conductor Alasdair Neale.

The Cantabile Chorale has a new sound. Some aspects of this hold great promise, while other aspects suggest areas that could do with some ironing out. Friday night's concert at St. Gregory Nyssa in San Francisco, titled "Bach, Beatles, and Beyond," demonstrated this ably.

In a program note written for San Francisco Opera some years ago and republished in his book The Ultimate Art, David Littlejohn called Don Giovanni "The Impossible Opera." He went into some detail about the reasons the work is so difficult to stage effectively.

Ah, it's that time again. Spring is in the air, school's almost out, and summer music festivals beckon legions of young musicians.

From a listener's perspective, one of the joys of pedagogically oriented programs like the Yehudi Menuhin Chamber Music Seminar and Festival is the opportunity it affords to hear both the faculty and the seminar participants in two roles — the former teaching as well as playing, the latter learning as well as performing.

One of the most individual aspects of music in the Bay Area is the incredible number of choral organizations and the variety of repertoire they offer. As of Saturday evening in San Francisco's Trinity Episcopal Church, that pleasure was increased as Richard Sparks directed the premiere concert of Choralis.