Opera

SFCV’s perceptive writers report on topics relevant to opera.

Victoria Looseleaf - April 11, 2023

The company’s Digital Shorts, still available for viewing, brought together major-name creatives to invent 10-minute operatic films.

Jason Victor Serinus - April 2, 2023

As wonderfully as Giacomo Puccini’s opera has been served in the studio, this Warner Classics release is up there with the best.

Victoria Looseleaf - March 28, 2023

With James Conlon conducting a sensitive account of the score, and a fine cast to boot, there is no mystery to the success of this production.

Lisa Hirsch - March 27, 2023

Allen Shearer and Claudia Stevens’s operatic take on The Tempest succeeds most in musical moments that depart entirely from the original.

Jason Victor Serinus - March 27, 2023

Though the competition is formidable, Willis-Sørensen stands up to the greatest sopranos who have interpreted this song cycle.

Nicholas Jones - March 21, 2023

The annual showcase of excerpts from operatic works-in-progress confirms the future is bright for today’s composers and librettists.

Lisa Houston - March 18, 2023

This new telling of The Tempest from composer Allen Shearer and librettist Claudia Stevens premieres March 25 at Herbst Theatre.

Victoria Looseleaf - March 14, 2023

The new chamber opera about prophecy and instability is the climax of the artist’s yearlong residency at UC Berkeley.

Michael Zwiebach - March 10, 2023

Building on the company’s recent success, General Director Shawna Lucey unveils a lineup with more firsts and some welcome blasts from the past.

Chrysanthe Tan - March 7, 2023

The famous 19th-century mezzo Pauline García Viardot wrote this work for her children and vocal students, and it still holds up today.