The “classical, avant-punk” violin duo covers a lot of ground on three new CDs, from Brahms to the thorniest of contemporary composition.
“Recovered Voices” is a thread that runs through the LA Opera music director’s four decades of recordings.
Committees can work (sometimes): the San Francisco Conservatory of Music/SF Symphony partnership seems to have struck gold.
San José violinist Grace Huh takes second place and earns the Pablo Casals Prize.
