The violinist was on hand for Florence Price’s Second Violin Concerto in a concert also featuring Brian Raphael Nabors’s Upon Daybreak.
The always adventurous company headed by James Darrah goes from leading edge to bleeding edge.
In his recital at The Wallis, the pianist/composer was oddly uncommunicative.
In SF Opera’s production of Poulenc’s masterpiece, spiritual concerns are powerfully dramatized.
The Icelandic pianist ups the quirkiness factor by recording his latest album on both a grand and an upright.
SFCV chats with the star violinist about her many enthusiasms, both in art and in life.
This collaborative work responding to the deaths of Black Americans at the hands of the police demands sustained attention.
