The early-music legend brings virtuoso repertoire and another consort of collaborators to Berkeley.
For the CD’s rerelease, the violinist has jettisoned one particularly troublesome piece and also recorded a new one by Florence Price.
The director’s latest collaboration with the chorus adapts a mournful but timely piece by early Baroque composer Heinrich Schütz.
SFCV chats with the genre-crossing player whose sound lies somewhere between classical, jazz, rock, and Armenian folk music.
A recital of technical showpieces for SF Performances reveals the pianist’s precision and expressivity.
