Pierre-Laurent Aimard is back for a polished solo turn in Béla Bartók’s Second Piano Concerto.
The tight-knight vocal ensemble that specializes in the music of Eastern Europe has been developing BABA with conductor Karmina Šilec.
Brubeck’s The Gates of Justice, a 1969 piece very different from his up-tempo jazz standards, gets two performances in L.A. this month.
Music Director James Conlon’s signature initiative branches out next season to include a production of William Grant Still’s Highway 1, U.S.A.
