David T. Little’s composition is a challenging experiment in form and genre, part film screening and part live performance.
Meyer, violinist Tessa Lark, and cellist Joshua Roman perform three of the bassist’s crossover compositions in advance of recording them.
Kedrick Armstrong conducts his first concert as music director, featuring jazz artists with Bay Area ties and Carl Nielsen’s Symphony No. 4.
Dancing plays a prominent role in this production, whose revival marks McNamee’s directorial debut with the company.
Poet and activist Marc Bamuthi Joseph is reimagining Saint-Saëns’ suite with the help of dancers Wendy Whelan and Francesca Harper.
