Choral

Hats off to Susan McMane, who will be taking her Young Women’s Choral Projects charges through a sampling of music, including Galuppi’s marvelous Dixit Dominus.

Cantare con Vivo’s May concert is traditionally an uplifting, fun affair, which goes by the title “How Can I Keep From Singing?”

Hot on the heels of the recent exhibition of California-inspired sheet music, comes a fun and fascinating concert by San Francisco Bach Choir of those songs.

If you heard Handel’s Messiah at Grace Cathedral last December, you may be interested in the arrival of the New College Choir from Oxford, which sings J.S. Bach’s St. John Passion at Grace on Good Friday.

Thanks to the 200th anniversary of Giuseppe Verdi’s birth, his Requiem, one of the most popular choral works of all time, is sure to figure in the Bay Area concert scene a number of times this year. 

Cantare con Vivo is doing Sergei Rachmaninov’s deeply moving Vespers (All-Night Vigil) as their spring concert. 

Clerestory, the men’s choral group that is partly a spin-off from Chanticleer, is back in action on the weekend, with a program they’re calling “Bacchanalia”, a celebration of spring and music about springtime appetites.

For its first big concert, the newly-established Young Womens’ Choral Projects starts off with some fancy rhythms from Gershwin, leading to a whole set of Latin American polyrhythms, American spirituals, and other traditional tunes. 

Portland-based Capella Romana is a world-class male vocal group specializing in Greek Orthodox and Slavic church music. If that’s outside your normal sphere of activity, you have a good reason to hear this group.

Last year’s performance of J.S. Bach’s St. Matthew Passion by the American Bach Soloists was predictably one of the highlights of the spring season.