The Russian piano phenomenon delivered a thrilling performance in collaboration with Kent Nagano and the OSM.
Awkward programming and distracting visuals overshadow a powerful rendition of Fauré’s Requiem.
As he’s been doing his whole career, conductor Charles Dutoit brought clarity and detail to early 20th-century masterpieces.
The Academy of St. Martin in the Fields fielded a great soloist on Sunday, but missed a conductor’s attention.
: No more excuses if you haven’t heard the work of this brilliant Portuguese pianist.
Harpsichordist Derek Tam joined the group in three pieces all composed in 2016.
In between the Russian warhorses, some unpredictable and finely-played music, and an orchestra in close harmony with its conductor.
The French conductor brought a Glimmer of new music to the San Francisco Symphony’s series of subscription concerts.
With conductor Tito Muñoz pinch-hitting for Joana Carneiro, the orchestra welcomed an exciting soloist in Beethoven’s “Emperor” Concerto.
Daniel Hope joined the orchestra as guest concertmaster and principal soloist in a tribute to his mentor.
