Orchestra

David Bratman - April 28, 2009
Marimbist Lisa Pegher

“Made in the U.S.A.” is the title of Mission Chamber Orchestra’s concert of American music of a decidedly romantic and audience-friendly be

Georgia Rowe - April 27, 2009

There’s a lot to be said for youthful exuberance, particularly when it’s combined with the kind of stylish and refined playing offered by the Australian Chamber Orchestra Sunday afternoon at Zellerbach Hall.

Heuwell Tircuit - April 26, 2009
Guest conductor Yan Pascal Tortelier split his San Francisco Symphony program right down the middle last week to form a gratifying string of four evenings at Davies Symphony Hall. His first half offered two contrasting works from Paris, his second half two wildly contrasting works from Ralph Vaughan Williams’ London.
Jesse Hamlin - April 20, 2009
David Ramadanoff
David Ramadanoff first encountered Carl Orff’s irresistible Carmina Burana as a student at Temple University in the late 1960s, sing
Steve Osborn - April 20, 2009
Bruno Ferrandis
A ballet suite is not a symphony, but don’t tell that to Bruno Ferrandis.
George Loomis - April 16, 2009

NEW YORK — The YouTube Symphony Orchestra gave its first — and as far as anyone knows, only — concert last night and a good time was had by all. Isaac Stern Auditorium of Carnegie Hall glowed festively, or at least differently, with atmospheric lighting.

Jeff Dunn - April 14, 2009
Yan Pascal Tortelier

The British composer Ralph Vaughan Williams is beloved for his evocation of pastoral, folk-song-infused landscapes in works like

Georgia Rowe - April 13, 2009

This is the time of year when San Francisco Symphony Music Director Michael Tilson Thomas, for better or worse, yields the podium to a series of guest conductors. Later this month, and in the first part of May, Oliver Knussen, Yan Pascal Tortelier, and Bernard Labadie will take up the baton; this past weekend it was Stéphane Denève’s turn.

Dan Leeson - April 13, 2009

For its 2008-2009 season finale on Saturday, the San Francisco Chamber Orchestra, under Benjamin Simon’s effective direction, presented an eclectic program with a theme of “Bach to Bach” — meaning, of course, that the concert would both begin and end with a Bach composition, though the finale was a very different kind of Bach.

Janos Gereben - April 10, 2009
Michael Morgan

The Oakland East Bay Symphony's April 17 concert at the Paramount Theatre "pairs two composers who were revolutionaries in their time, and who cha