Tamzin Elliott

David T. Little’s composition is a challenging experiment in form and genre, part film screening and part live performance.

Flutist and composer Rachel Beetz shares her latest works and improvisations.

Caroline Shaw’s work of the same name is the centerpiece of a program about inspiring action beyond the concert hall.

The composer’s rarely performed Credo shares a concert with works by J.S. Bach and a premiere by Zanaida Stewart Robles.

In the aftermath of the pandemic, Long Beach Opera’s latest production envisions healing and transformation.

Drawing strength from community roots, figgis-vizueta has assembled a concert of big ideas for Los Angeles Chamber Orchestra.

Opera has always been a space for gender-bending. Trans artists are trying to make it work for them.

The 90-year-old composer appears in likely his last tour, a collaboration with German video artist Lillevan.

Opera Parallèle’s partnership with the Transgender District is a preview of the company’s plans for a deeper relationship with the community.

For Piano Spheres, Kallay used Alexander Scriabin’s Fifth Sonata as a jumping-off point to explore “ecstatic states.”