Singers and instruments. An introduction to the interpretation and performance practice of the prolific Hildegard. In this class, we will (1) learn a system for understanding and interpreting Hildegard’s particular use of medieval notation, (2) sing and learn by rote one of Hildegard’s antiphons, and (3) discover optimal vocal production in the singing of pure vowels and pure tones.
All levels.
A=440
The San Francisco Early Music Society has moved its Baroque, Medieval/Renaissance, and Recorder summer workshops online.
Join us for the June offerings: https://sfems.org/sfems-workshops/virtual-sessions/
Have questions? Email Stacey at [email protected]
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$21–25
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