As two Black women composers working in the 1930s, unrecognized and unsupported by their field and the country in which they lived, Florence Price and Margaret Bonds forged a lasting relationship as mentor and student, as musical collaborators, as champions of one another’s art, and as friends. Both Bonds and Price would set numerous “firsts” as milestones in their careers, writing with distinct musical vocabularies that blended their Western classical training with African American styles and forms, and championing messages of Black acceptance and pride in the United States. From art songs to solo showpieces and symphonic excerpts, Julia Bullock curates an evening showcasing the enduring musical voices of Price and Bonds.
Date:
Venue:
Organization:
Categories:
Email:
Phone:
Program Items
Florence Price
Retrospection for Organ
Florence Price
The Oak
Florence Price
Symphony No. 4 in D minor
Florence Price
Selected Songs
Florence Price
Selected Works for Solo Piano
Florence Price (arr. Michael-Thomas Foumai)
A Piece for Solo Piano and Orchestra, after Florence Price’s Fantasie nègre No. 1
Margaret Bonds (arr. by Jannina Norpoth)
Selected Songs
Margaret Bonds
Selections from Montgomery Variations
Florence Price
Organ Suite No. 1
Performers
Los Angeles Philharmonic
Orchestra
Lidiya Yankovskaya
Conductor
Julia Bullock
Curator
Michelle Bradley
Soprano
Jasmin White
Mezzo-soprano
Michelle Cann
Piano
Nathaniel Gumbs
Organ