The electro-acoustic duo’s debut album, Twenty Twenty, takes listeners on an epic, unsettling journey.
We root out the best of an enormous fest that played out over three days on a dozen stages.
A dozen different groups and composers put their spin on Satie’s simple piano masterworks.
Two works premiered in past seasons, Daníel Bjarnason’s Violin Concerto and Anna Meredith’s Nautilus, make the program again at the Bowl.
When concern over COVID cases took out half the orchestra, the weekend’s programming had to change.
Complexions Contemporary Ballet makes a rare Bay Area appearance at Frost Amphitheater, followed by SF Ballet.
Strong performances from this year’s cast of emerging artists bring Mozart’s opera to life.
The 26-year-old Klaus Mäkelä shows poise in tackling one of the giants of symphonic music.
West Edge Opera’s staging, in collaboration with Papermoon Opera Productions, turns everyday stuff into magic.
The first weekend back after a three-year hiatus is full of hope for the future of new music.
