Reviews

As the economic crisis imperils arts organizations large and small, it was wonderful to see a near-capacity crowd fill Davies Symphony Hall on Saturday evening for the San Francisco Symphony's performance of works by Tilson Thomas, Prokofiev, and Shostakovich, featuring pianist Garrick Ohlsson as soloist and conducted by Michael Tilson Thomas.

The young American guitarist Jason Vieaux is an exceptionally communicative artist. On Saturday he presented an interesting, well-shaped program, with expressive playing and friendly, informative spoken introductions, at the San Francisco Conservatory of Music Concert Hall.

The Chalice Consort brought its remarkable sound and splendid musicianship to St. Monica Catholic Church in San Francisco Saturday night, in an a cappella concert ably led by Matthew Walsh.

Perhaps my expectations have been colored by the approaching inauguration, but Sunday night's performance by cellist David Requiro with the Marin Symphony, now in its seventh year under the able stewardship of Music Director Alasdair Neale, left me with unanticipated though unmistakable feelings of hope for the future of symphonic music-making in the Bay Area.

Soon into tenor Brian Thorsett's benefit recital Friday in Calvary Presbyterian Church, I could not help but reflect on the arc of a singer's maturity. Some artists emerge at a young age with voice, technique, and intelligence so fully developed that one can only marvel as they continue to grow and mature.

The beautifully restored California Theatre in San José — thanks to the generosity of David Packard — was the site for Symphony Silicon Valley’s fourth of eight programs in its 2008-2009 season. Sunday's was a brilliantly performed program, but one of such mixed styles, content, and format as to raise eyebrows. The opening work, using a reduced orchestra of 40 players, was the Haydn Symphony No.

Admirers of the Takács Quartet have had it good these past several years, due to the ensemble's two-concerts-a-season relationship with Cal Performances. The quartet's first Bay Area visit in 2009, though, wasn't to Berkeley's Hertz Hall but to Mill Valley's Mount Tamalpais United Methodist Church.

Disappointed that his relatively bland Third Symphony had won the Pulitzer Prize in 1947, Charles Ives called awards "badges of mediocrity." Sometimes that's true, though not always.

Trinity Chamber Concerts in Berkeley presents "the finest of Northern California's emerging musicians." Saturday night's concert was performed by four accomplished, thoroughly emerged performers who have recently come together in an ensemble somewhat ambiguously called Les grâces: Jennifer Paulino, soprano; Annette Bauer, recorders; Rebekah Ahrendt, viola da gamba; and Jonathan Rhodes Lee, harpsic