Reviews

Jules Langert - November 4, 2009
Monday’s concert by the San Francisco Contemporary Music Players was titled “Made to Order,” an allusion to the highly inventive and original sonic landscape of every piece on the program. Or, it could just be an acknowledgment that three of the four pieces were commissioned for performance by the SFCMP.
Jerry Kuderna - November 2, 2009
Maybe it was the Halloween season, or the full moon, or just because he could. Presented by Cal Performances, pianist Louis Lortie’s recital Sunday at Hertz Hall was composed of works having something to do with diabolical virtuosity.
Michelle Dulak Thomson - November 2, 2009
Even decades of piecemeal exploration by curious historical performers have not made German music of the generation or two before Bach exactly familiar ground for most listeners.
Jeff Dunn - November 2, 2009

Sometimes, I feel like I’ve heard the four Brahms symphonies more times than the Bay Area weather people notify me the next day will be sunny. But Simon Rattle is no ordinary weatherman in his new release of these concert-hall stalwarts. With Rattle, there's no boringly familiar, stupid smiling sun slapped up on the map, and calling it a day.

Georgia Rowe - October 30, 2009

Osmo Vänskä saved the best for last in his most recent guest appearance with the San Francisco Symphony. Wednesday night at Davies Symphony Hall, the Finnish conductor introduced his second program in two weeks, achieving his most dynamic and cohesive results with this orchestra to date.

Robert P. Commanday - October 27, 2009
The San Francisco Symphony’s Chamber Music Series, offered most Sunday afternoons, is a dependable bet. There, members of the Symphony emerge as individuals from orchestral submersion and can be heard doing what they most like to do, as best they can.
Jason Victor Serinus - October 26, 2009

As powerful as bass-baritone Bryn Terfel’s voice is, it’s not strong enough to sink the British Isles by itself.

David Bratman - October 26, 2009
Cadenza is a well-known term in classical music, and now it’s also the name of a local orchestra.
Jeff Dunn - October 26, 2009
Wouldn’t it be nice if each composer on a program could have his own, ideal interpreter?
Heuwell Tircuit - October 26, 2009
Apparently, no one has informed the San Francisco Girls Chorus that what they are doing is impossible, so they just do it — and very well, too.