Reviews

Be'eri Moalem - July 2, 2011

An eclectic musical evening showed lines blurring between classical, academic, popular, live, and electronic.

Michelle Dulak Thomson - June 28, 2011

Northern Sinfonia is the first to cut a disc with Hans Gál’s First Symphony: at turns wry, yearning, jesting, or ceaselessly melodic. It’s paired with a “cute and perky” Schubert symphony.

Lisa Hirsch - June 26, 2011

A season ending performance of the challenging Missa Solemnis offers an evening of individual beauties interspersed and some disjointed moments.

Janos Gereben - June 22, 2011

A documentary cracks open a window on “sacred monster” Carlos Kleiber, that eccentric, passionate, and difficult conductor.

Lisa Hirsch - June 21, 2011

Francesca Zambello’s powerful and explicitly feminist Ring Cycle is a magnificent achievement for her and the entire S.F. Opera organization.

Jeff Dunn - June 20, 2011

Andrew Davis’ CD, with goosed-up sonics, journeys to Holst’s overexplored Planets and also contains two less-known works inspired by Morocco and Japan.

Anna Carol Dudley - June 20, 2011

Though they sing for love, members of the International Orange Chorale are masters of their craft, as shown by their luminous concert of Scandinavian music.

Jason Victor Serinus - June 20, 2011

George Crumb and Peter Sellars' creation for Dawn Upshaw — The Winds of Destiny — offers a deeply affecting experience, one that inhabits your being long after the music stops.

Steven Winn - June 18, 2011

With flair and precision, the S.F. Symphony presents a Bartók concerto, with Yuja Wang at the keyboard, and an excerpt from Tchaikovsky’s Swan Lake ballet.

Benjamin Frandzel - June 18, 2011

Stunning playing by the Australian Chamber Orchestra meets Dawn Upshaw’s sterling vocalism in a freshly minted Ojai North program.