Miranda Liu is marvelous in Shostakovich’s Violin Concerto No. 1, while Ravel’s Boléro provides a colorful finale.
When the production works, it’s the music, not the directorial concept, that triumphs.
Pianist Evren Ozel, violist Jordan Bak, and violinist Geneva Lewis give an impressive recital in an unusual configuration.
For Piano Spheres, Kallay used Alexander Scriabin’s Fifth Sonata as a jumping-off point to explore “ecstatic states.”
Stephen King’s bestselling novel comes to the opera stage with, thankfully, less luridness than Stanley Kubrick’s famous film adaptation.
Conductor John Nelsons, mezzo-soprano Joyce DiDonato, and collaborators give great performances of Roméo et Juliette and Cléopâtre.
The orchestra caps a remarkable 10-day run with premieres from composers Ellen Reid and Gabriella Smith.
The South Bay company tests its mettle in the composer’s youthful, turbulent work.
There was a lot of talent on the stage in Torrance. Time to let them lead.
Julia Wolfe’s new oratorio makes a passionate feminist argument that’s musically and theatrically unrelenting.
