A surprising number of A-list composers write for this small-budget group whose concerts are always intriguing.
The mezzo-soprano is affecting in everything from Argentine art song to Broadway.
Gabriela Lena Frank and Nilo Cruz’s new opera hits the bull’s-eye in every possible way and engages audiences to boot.
As directed by Rhiannon Giddens, the festival explores improvisation and cross-cultural connections at the expense of European modernism.
The Clayton-Hamilton Jazz Orchestra backs the Master Chorale and guest vocalists in music by Duke Ellington and Mary Lou Williams.
The soprano’s interpretive skills make the case for André Previn’s final work, Penelope, among other selections.
Cahill’s concert is based on her long-standing interest in the form and in commissioning new music.
In Peter Sellars’s semistaged production, everything from the orchestra to the principal performances is absolutely right.
Tenor Karim Sulayman and guitarist Sean Shibe record a sophisticated album that raises questions about identity and cultural exchange.
The orchestra under Donald Runnicles, soprano Nina Stemme, and David Hockney’s color-saturated set designs are the stars of this extravagant production.
