Reviews

Ken Iisaka - March 19, 2012

A composer/pianist dares to perform his own wintry sonata, alongside several by history’s greats.

Anna Carol Dudley - March 19, 2012

A noted Bach choir delves into the Renaissance, with delightful results in its songs and madrigals.

Janice Berman - March 18, 2012

Artistic Director Robert Battle brings an enhanced repertory and an energized company to Cal Performances.

David Bratman - March 18, 2012

Katarzyna Myćka marimba joins sonorous strings in a program of unusual quintets.

Niels Swinkels - March 18, 2012

A French composer doesn’t quite respond to quartets by Beethoven and Haydn, but speaks in his own evocative voice.

Jeff Dunn - March 17, 2012

Pairs of contrasting works illustrated 20th-century extremes and 21st-century frontiers of orchestration at the Mavericks Festival were brilliantly juxtaposed and together made for a wonderful concert.

Thomas Busse - March 14, 2012

A Dutch early-instrument orchestra and choir give a fine rendition of a Bach Mass, despite the hall’s acoustic limitations.

John Lutterman - March 14, 2012

Brilliance and “guts” define the work of a cello soloist and a period-instrument orchestra.

Michelle Dulak Thomson - March 13, 2012

Two sterling violinists “mess about” with Bach, producing interesting but mixed results.

Catherine Getches - March 12, 2012

Songs by guitarist Trey Anastasio experience new life in an amazing space, backed by the Los Angeles Philharmonic.