Reviews

Anatole Leikin - March 6, 2012

Charm and elegance distinguish performances of Enrique Granados’ scintillating piano suite.

Thomas Busse - March 6, 2012

A male vocal ensemble meshes with a young string quartet in compositions based on psalms, a biblical figure, and weather .

Scott MacClelland - March 5, 2012

The San Jose Chamber Orchestra acquits itself well playing a reduction of Mahler’s score of his Fourth Symphony, revealing insights into the original.

Jeff Dunn - March 5, 2012

Two long nights at a new-music festival prove to be a trial, leavened by a couple of wake-up works.

Thomas Busse - March 5, 2012

First-rate singers contribute to a satisfying and welcoming evening of early music.

Jason Victor Serinus - March 5, 2012

In Winterreise, Schubert’s chilling song cycle, two artists prophetically point the way toward places and mysteries that the composer didn’t live long enough to explore.

Janos Gereben - March 5, 2012

Mark Streshinsky's West Edge Opera has done it again, making up for a tiny budget with huge imagination and amazing excellence, in its current production of The Manga Flute.

Janice Berman - March 4, 2012

In its first performances since the Ballet San Jose's recent upheavals, a mixed bill offers mixed results, but cause for hope.

Matthew Cmiel - March 3, 2012

Sound worlds are fervently explored at the 17th iteration of a new-music festival.

Ken Iisaka - March 3, 2012

An indefatigable keyboard artist plays the “B”s out of Bach, Beethoven, and Bartók.