Reviews

The N.Y. Philharmonic arrived bearing gifts over the weekend as part of the S.F. Symphony’s American Orchestra Series, and the rewards were manifold.

New Century Chamber Orchestra premieres a concerto reflective of commedia dell’arte, with some of its japes and jabs turned into lively sound.

A robust celebration of San Francisco's early musical days is, to use an old phrase, a hoot and a half.

Youthful pianist Orion Weiss plays the racing stripes off Gershwin classic vehicles, with the Buffalo Philharmonic along for the ride.

A typically thought-provoking and brilliant Peter Serkin recital contrasts Beethoven against moderns like Knussen, Wuorinen, and Takemitsu.

The choral ensemble Cantare Con Vivo and instrumental quartet Quijeremá unite communities in an entertaining, multicultural concert.

The Marin Symphony's presentation of an opus to the Golden Gate Bridge, the sonically immersive composition by Rob Kapilow, is a work that aims to capture it all.

The UC Davis Symphony Orchestra, comprising mostly students, plays gallantly in a mixed-bill at Mondavi Center.

The Easter story comes alive through American Bach Soloists’ stylish, spirited performances of contatas and oratorios.

Judging from this new live recording of Werther, captured in May 2011 at the Royal Opera House Covent Garden and conducted by Antonio Pappano, Rolando Villazón remains on top of his game.