Previews

This Friday, Street Scene, the Kurt Weill-Langston Hughes opera comes to the Paramount Theatre stage, played by the Oakland East Bay Symphony Orchestra under Music Director Michael Morgan. It is every bit as marvelous as Morgan says, and you probably won't soon get another chance to hear it in the Bay Area.

The S.F. Choral Artists is taking a big leap, both in visibility and in its repertoire. For its upcoming concert on Sunday, the group is going for its whiskers, partnering with the Alexander String Quartet in a concert that features three — count 'em — commissioned world premieres.

Garrick Ohlsson's fingers will be flying at the Disney Family Museum in the Presidio on Wed., May 18 when he headlines San Francisco Classical Voice’s 3rd Annual Donor Appreciation Event.

Violinist Anne Akiko Meyers has generously donated her time for a Japan disaster relief fund-raiser, sponsored by Play for Japan USA.

As the S.F. Symphony returns to action after a brief off-week, they get to work with one of those superb but unheralded conductors who seem more inexplicable in these days of well-oiled publicity machines: Peter Oundjian, known for being self-effacing and for connecting brilliantly with orchestra players.

With ambitious programming, as well as forums and lectures, American Bach Soloists is launching a Bach Festival in San Francisco.

Audiences are discovering a wealth of Latin American music through a woodwind quintet’s missionary efforts.

Johannes Brahms' identification with an old tradition of music is the subject of the upcoming California Bach Society concerts, and choral music the composer wrote in this era has exceptional drama and impact.

A Mass by a contemporary of Bach’s receives its first West Coast hearing, performed by American Bach Soloists.