Previews

Georgia Rowe - February 12, 2010
Although many consider him one of the most significant musical figures of the 20th century, American audiences still haven’t caught up to Luigi Nono. The Italian composer — a leader in the postwar avant-garde, and a contemporary of Boulez and Stockhausen — remains something of an enigma in the West.

The San Francisco Contemporary Music Players venture where others fear to tread.

Michael Zwiebach - February 9, 2010

The choral group AVE (Artists' Vocal Ensemble) returns to the stage on the President's Day weekend. The concert's title, “This American Land,” refers to the actual earth, and the music is connected by composers' musings on “the sacredness of the earth.”

Michael Zwiebach - February 9, 2010

While Voices of Music brought in oboist Gonzalo Ruiz for their recent “Great Artists Series,” their upcoming concerts of the Bach Violin Sonatas features violinist Carla Moore — a pretty great artist in her own right.

Marianne Lipanovich - February 9, 2010
Music has often been used to erase the burdens of war, for both combatants and civilians.
Michael Zwiebach - February 9, 2010
Redwood Symphony’s artistic director, Eric Kujawsky, knows how to get professional soloists to play with his all-volunteer orchestra: persistence.
Jeff Dunn - February 8, 2010

If search-engine hits are the Web election determining America’s most popular poet, then Emily Dickinson is currently in second or third place (along with Henry Longfellow), behind Walt Whitman. But unlike Whitman, her intensely personal poetry seeks a sympathetic reader, not a vast public sphere. And perhaps that is what drew the composer Gordon Getty to her. His song cycle on Dickinson's poetry, The White Election, will be performed, appropriately, on a Tuesday, Feb. 23.

Janos Gereben - February 8, 2010
On Feb. 20, the day before Riccardo Chailly conducts the first of two concerts with Leipzig’s venerable Gewandhaus Orchestra at Davies Symphony Hall, he will turn 57.

His return to San Francisco will come 33 years after his participation in a historic event that took place in the War Memorial Opera House:

Michael Zwiebach - February 3, 2010
The composers' collective CMASH presents the third annual New American Chamber Music concert, again focusing on voice and small ensemble. The young, San Francisco Conservatory-trained Picasso String Quartet joins forces with the One Art Ensemble and soprano Ann Moss to present new music by composers Vartan Aghababian, Wesley Brown, Matthew O'Malley, Miriam Miller, and Liam Wade.
Michael Zwiebach - February 2, 2010

Opera San José opens its production of Mozart's The Marriage of Figaro this weekend. Relying on young singers has proved to be a winning formula for this company, especially when they're able to pick up hot talents like Khori Dastoor, who sings Susanna in the first cast, and Daniel Cilli (Almaviva in the second cast).

Michael Zwiebach - February 2, 2010

There are far too many events at the San Francisco Conservatory to mention on SFCV, even if we restricted ourselves to the free ones. But when they do an entire opera for free, there's reason to open a space on your calendar to see it. The performances may not be in the elite professional category, but they're close enough that you won't mind, especially when all you have to pay for is a coffee at intermission.