Dance

Decent Structures Arts stages the choreographer’s new work, Put Away the Fire, dear, for its S.F. debut.

The late choreographer’s masterwork is as vital as ever in a performance by African dancers.

The Compañía Nacional de Danza arrives in L.A. with a blend of classical, contemporary, and mambo.

Tamara Rojo’s next program for the company draws on her time in England and makes some surprising connections with the Bay Area.

A cast of African dancers has reimagined Pina Bausch’s 1975 choreography for the work and is now touring internationally.

The beloved longtime principal has had an exceptional career with the company over three decades.

Dancer Charya Burt, musician Paul Dresher, and an international creative team explore the relationship between art, war, and mythology.

The choreographer’s company is gearing up for a pair of multimedia world premieres on this foundational theme.

Having absorbed many different techniques, Barton is less interested in stretching boundaries than obliterating them.

The contemporary choreographer’s influence has been felt well beyond the Bay Area, becoming part of the fabric of modern dance.