The principal player opens up about performing under pressure and the tools musicians shouldn’t use to cope.
Ahead of New Year’s Eve concerts at Disney Hall, the chanteuse talks about her history with the band and what the future has in store.
Schick’s career at the forefront of contemporary classical music has been defined by major journeys, notably along the California coast.
Ahead of her California performances this week, the soprano chats about how she connects with a song — and an audience.
The orchestra’s principal horn player will retire in December, and he plans to write historical fiction with his time off, among other pursuits.
Ahead of his return to SF Opera, the former Adler Fellow and now international star chats about gaining confidence and singing from the heart.
The composer/pianist’s third commission for the Los Angeles Master Chorale isn’t the only project he’s been working on.
As amazing as the opera’s score and libretto are, the production has drawn raves for Kazan’s designs in particular.
Ray has long been one of Los Angeles’ go-to contemporary musicians, and she delights in any piece that stretches her as a performer.
Fayetteville, North Carolina, is the setting for Rhiannon Giddens and Michael Abels’s Pulitzer Prize-winning opera — and where Raven grew up.
