The violist and violinist, longtime members of the ensemble who are both retiring this month, reflect on 40-plus years of championing new music.
Both the state of California and the city of San Francisco are facing major deficits, which can only mean cuts.
The company’s current production of Otto Nicolai’s 1849 singspiel might have just a little too much of everything.
Sheku Kanneh-Mason makes his SF Symphony debut in Shostakovich’s Cello Concerto No. 1.
Played simultaneously on a rotating turntable, the double production invites speculation on power relations and much more.
In a program of concertos and showpiece arias, VoM has two powerhouse soloists in violinist Augusta McKay Lodge and soprano Amanda Forsythe.
The annual week of concerts and workshops led by the Resonance Collective offers singers the opportunity to experiment.
Amid transitions in management and leadership, PBO’s upcoming season sees four guest conductors auditioning for the post of music director.
