The group’s season-ending concert was devoted to Handel’s Apollo and Daphne and Jean-Philippe Rameau’s Pygmalion.
Music complements visual curators’ work at the Gardner, and Steel’s innovations have brought programming to a new level of vitality.
The orchestra and director Daniel Hope continue to program inventively, be it a Baroque concert or a multimedia adaptation of Moby-Dick.
Christopher Mallett’s recording of the works of Justin Holland is a groundbreaking contribution to American guitar history and repertory.
From New York: The Metropolitan Opera star makes a recital debut that is alternately gripping and hilarious.
The master saxophonist owned the Davies stage in a wide-ranging program and still had time to appear at the SFJAZZ gala after.
The singer-songwriter discusses her collaboration with string quartet Brooklyn Rider, celebrating the power of beauty as a political act.
The star bass talks about his career, fighting for the underdog, and being a family man.
