The Two Widows bubbles over with life’s sorrows and joys.
Laura Kaminsky’s opera tells a big story with just two voices and bare-bones staging.
S.F. Conservatory of Music stages a Handel opera.
Bryce Dessner’s Triptych homogenizes the legacy of Robert Mapplethorpe.
James Conlon directs the company premiere of a Mozart masterpiece.
The composer/guitarist’s Triptych (Eyes of One on Another) premieres with the LA Phil’s New Music Group.
The operatic adaptation of E.M. Forster’s novel boasts some winning songs, well-delivered. But is that enough?
