Choral

Georgia Rowe - March 23, 2009
Chanticleer was founded in 1978 to explore the vocal music of the Renaissance, but the ever-questing 12-man chorus makes a regular habit of looking to the future. Last Tuesday, at Berkeley’s First Congregational Church, the San Francisco–based ensemble ushered three newly commissioned works into the repertoire, giving each the kind of vibrant, lustrous performance that has become synonymous with t
Jaime Robles - March 23, 2009
The symphonic chorale of the Oakland-based Cantare Con Vivo paid homage to Felix Mendelssohn on Saturday by performing one of his last compositions, the massive, two-hours-plus oratorio Elijah. Artistic Director David Morales led the excellent chorale and orchestra.
Jerry Kuderna - March 16, 2009

The pianist Rudolf Serkin took a year off from concertizing to study the Bach Cantatas because, as he said, “They are such beautiful music.” On hearing the American Bach Soloists perform four of them Saturday at the First Congregational Church in Berkeley, and after witnessing the vitality, spirit, and timeless human truths that they contain, I realized it would take a lifetime to fully get to know the wonders of this music.

Jason Victor Serinus - March 9, 2009
Our very own internationally renowned male a cappella ensemble Chanticleer celebrates the close of its 30th anniversary season with three commissions by composers of the same age. The program, titled "Composers/Our Age," showcases new works by Tarik O'Regan, Shawn Crouch, and Mason Bates.
Heuwell Tircuit - March 3, 2009

Holding aloft its dedication and musicianship like a banner, Artistic Director Robert Geary led the Volti chamber choir through eight contemporary works Saturday evening, four of which were premieres. The program, at St. Gregory of Nyssa Episcopal Church, also included the services of the amazing Piedmont East Bay Children’s Choir.

Catherine Getches - March 2, 2009
In a concert titled "Ye Sacred Muses — Music of the Chapel Royal" the choral group Clerestory gets back to its cathedral roots and music that inspired the ensemble's name. On the program are lesser-known a cappella works by Purcell, Byrd, Tallis, and Handel, side by side with a few compliations devoted to great Queens, and more familiar works by other greats (composers, that is).
Jerry Kuderna - February 24, 2009

While speaking with one of the singers of the Pacific Collegium during the intermission of their Sunday concert giving the complete motets of Johann Sebastian Bach, I mentioned that I came to love these works only via recordings, while attending the Carter centenary at Tanglewood this past summer.