Laura Elaine Ellis talks about the many ways the festival celebrates African-American ideas and creative expression through dance.
The dancing is admirable, but the ideas don’t pay off in Trey McIntyre’s new piece.
It’s all bright on the surface, but Mark Morris’s sprightly play on perky, mid-century musical tropes has a darker side, too.
The lauded choreographer wraps a year as artist-in-residence at Grace Cathedral with three powerful “offerings” danced in the church’s nave.
The collaborative, multidisciplinary work melds cutting-edge digital technology with human movement in real time.
